Fist Of Satan 666: Before we delve into things can you tell us what you’re currently listening to as you answer these questions?
Deeper Vileness: Camille Saent-Saens and Domenico Scarlatti. Brilliant Composers.
FOS: Let’s start at the beginning. Deeper Vileness came into being around 2012 while you were still in high school. What events or circumstances lead to the creation? Was it a need for personal expression? A reaction to circumstances?
DV: I was studying music at that time and I was also listening to many metal bands which I was discovering such as Venom and Bathory. I had originally wanted to do something along the lines of dark ambient, which is still present in the bands music. The ideas for the project were most definitely personal expression and exploring the darker side of music as a whole.
FOS: Once Deeper Vileness came into being it was a few years until the demo ‘Of Darker Realms’ was released. Can you describe the path from band creation to first release?
DV: The creation began with creating mock demo layouts, and song titles as well as an overall image of the band. I wanted to aim for a very dark and medieval type theme. I originally wanted to do a live trio but after a failed search for members locally I decided to do everything myself with the exemption of occasional session members. It took a while to put the instruments together and I had to borrow much of them. They were all very old ,thus the extremely raw sound on the first demo. My only regret is not recording while I was still at University.
FOS: In other interviews you’ve spoke of how your local scene is nothing more than people “jacking off to deathcore”. Black metal often is an expression of a musician’s emotions, philosophies, and beliefs. These are not generally things associated with a scene. Was a scene even necessary in the band’s formative years or was the lack of support just fuel for the fire?
DV: No a scene was never necessary, I’ve had people message me from Austria and Romania that found the band’s demos at underground shows. My commentary in that interview was very tongue in cheek and was something of an inside joke. I do not care for other people’s projects if they do not interest me.
FOS: As I write this I am listening to the ‘Dark Crypt Necromancy’ demo. Unlike a lot of black metal which often blends into the background your music constantly claws at the listener. Forcing itself to the forefront.
An unleashing of raw emotion seems to take precedence over more traditional song structure. Is this a conscious act on your part when writing music?
DV: It was indeed a conscious act for this release. I only compose while alone and often at night. The theme for the demo had to do with necromancy which is a very chaotic form of magick. Thus the sound was created to be chaotic.
FOS: Black metal, raw black metal especially, can be incredibly personal to the creator. Often the creators shroud themselves in an enigma with pseudonyms and mystery, creating a separation between the art and the person.
It seems you haven’t taken the traditional path and are more directly connected with music. Is there a place where Deeper Vileness ends and Kadesh begins? Or are Deeper Vileness and Kadesh one in the same?
DV: What others try to create an image of I already am. Some would try to present themselves in a certain way, I make my fantasies reality. I have no need to pretend.
FOS: On all your releases you go from ambient keyboards straight into raw black metal noise and then back again. It’s a constant shifting of gears from lulling the listener with a medieval dungeon like atmosphere to an unleashing of raw emotion.
Why do these styles work together for you? Why not make an entire dungeonsyth album and a separate raw black metal album?
DV: There will be less ambient and keyboard tracks on the next releases. There will be more of layers and breaks of keyboards in the song structure. As for making separate albums I would never call myself dungeon synth , I was making keyboard tracks before I even knew what that genre was.
FOS: You cite GG Allin as a big influence. GG was known for his confrontational and over the top personality more than he was known for his music. Is that something you strive for with Deeper Vileness? Have such actions affected how the people around you think of you?
DV: GG allin was never an influence to me. Artists that influence me change my perspective of music. But whether certain black metal bands existed or not I would still be making dark music. I’d define myself as an intellectual who spends time reading philosophy and composing orchestral works. My personality is over the top in many ways but none of which I consider negative. More so …eccentric. I wear all black and drink wine while listening to classical music. And often roam about the night through ruins and forests.
FOS: Where do you see Deeper Vileness going in the future? Do you have more plans for the journey rather than the destination?
DV: Well I definitely see the band gathering a following and releasing more intricate pieces of music. I have many plans, a destination is comfort and comfort breeds loss of ambition.
FOS: What else influences you to create? Do you have other creative outlets besides Deeper Vileness?
DV: It is pure artistic passion that befalls me. Once I have an idea I become obsessed with working on it.
I have many creative outlets. I’m working on literature, orchestral music, ambient music, art, and film at the moment. I hope to see much of it reach the public soon.
FOS: Final words are yours!
DV: It would please me to have any fans of the band look into my many other projects. There are related links on all my online pages. Come and hear all proper! Hear angel trumpets and devil trombones… you…are ..Invited!
Hails and thanks to Deeper Vileness for this interview. Their demos are on constant rotation so I enjoyed delving deeper into the Deeper Vileness mythos.
Check them out at: